Turtles All the Way Down
Published in Blog Archive, Villin. Tags: Music, Nashville.
Much has been made of the unorthodox lyrical themes that run throughout Sturgill Simpson’s Metamodern Sounds of Country Music. “It’s a very psychedelic country record about the human experience and love,” explained the singer to WFPK recently. While “love” hardly seems like absurd subject matter, we are talking about country music here, where women being “accepted” somehow counts as an application of progressive ideals. Then again, in the album’s lead single, “Turtles All the Way Down,” the pursuit of love does include the discovery of “reptile aliens made of light” who “cut you open” and “pull out all your pain,” so maybe there’s something to the unconventional label, after all.
Not unlike how the word “god” has been co-opted by religion though, using the word “love” as a placeholder for fleeting human emotion merely stands as a pornographic reduction of its limitless dynamic. Strip the word of its superficial associations and you’ll begin to understand what the music is about: that “love” is all there really is.
Utilizing psychedelics in the pursuit of understanding, “Turtles” follows the singer as he’s faced with Jesus, The Devil, and Buddha, who shows him “a glowing light within.” “There’s a gateway in our minds that leads somewhere out there, far beyond this place,” he sings. Musically, the track is about as traditional country-sounding a song as you’ll ever hear, which makes it all the more enchanting when Simpson recalls seeing the spirit of the universe in the eyes of his best friend or questions why dimethyltryptamine is a Schedule I drug (despite literally being present in each and every one of us… and our lawns).
“Honestly,” continued Simpson to WFPK, “I just kinda woke up and felt like I couldn’t write any more songs about broken hearts and drinking […] People are going to make a lot more out of it than it is.” Despite the astronomical divide between honky tonk clichés and infinite recursion, this modest sincerity rings true through to the end of the song, where a heartwarming glaze of cosmic echo bleeds over a lyrical resolve to abandon fear in favor of love’s everlasting nature. “Don’t waste your mind on nursery rhymes, fairy tales, blood and wine, it’s turtles all the way down the line.”
[This article was first published on Villin.net]