Villin
Villin was a short-lived music blog published at Villin.net (2014, 2017-18), focusing on Nashville-based artists. Click here to read more about Villin.
- Please Yourself ()
December 2017… There was a little voice inside me saying, “Don’t do that because, really, who the fuck are you, anyways?” but in August I sent Ron Gallo an email asking for an interview. “Aside from your music,” I wrote him, “I’m really interested in talking about some philosophical ideas… for instance, I’d read (or […]
- Beyond Trinity Lane ()
“I heard Bruce Springsteen say something along the lines of ‘the beauty of a song is that the meaning changes from person to person.’ So why take that away from people by spelling out how I wrote this exactly about that? I’ve done that, but I’m starting to lay back on it a little. A song can mean […]
- FJØRA Interview ()
Born in Canada and now stationed in New York City, FJØRA isn’t a traditional “Nashville artist,” despite the roots of her debut release being firmly planted in the city’s musical landscape. Having moved to Nashville to attend Belmont, she expanded her presence in the city’s scene following her graduation last year, establishing herself within an […]
- Jon Santana ()
“I used to get kind of stressed about my age,” says Jon Santana, sitting outside Steadfast Coffee in Germantown, reflecting in between sips of a coffee soda. “Especially when I was twenty-one [or] twenty-two. I was like, ‘Zedd’s twenty-three – I got two more years! I gotta make it!’” But that sense of artistic dread […]
- Magnetic Forces ()
“Lots of people think they’re thriving, and all they’re doing is surviving,” reflected Aaron McNutt (aka MC Nutts), speaking of his rhymes on Magnetic Forces’s “VITAL VINYL.” “And I’ve been there, so I recognize that.” The meaning behind McNutt’s personal favorite from the duo’s new album, The Vision on Multiple Occasions ÷x+-, eclipses his prescribed […]
- Kevin Kendall ()
“I always half-assed doing something in those first seven years,” says Kevin Kendall, reflecting on his time in Nashville prior to relocating to South Western Mexico in 2014. “The Mexico thing was me deciding to do something different, and I wasn’t sure if I was coming back here or not.” Having moved to Nashville from […]
- Taking it Slow ()
“It was a big blessing in disguise.” Early in 2012, six songs that had been recorded for Penicillin Baby’s debut LP were mistakenly deleted. Someone got ahead of themselves at the studio and in an attempt to clear up some hard drive space, wiped the session without double-checking to make sure it’d been backed up. […]
- Just Let Go ()
In “Just Let Go,” the most raw and emotionally satisfying track from Sturgill Simpson’s Metamodern Sounds In Country Music, the singer looks within before turning his gaze outward and graduating to a feeling of wholeness. “Woke up today and decided to kill my ego / It ain’t ever done me no good no how / […]
- Identity Control ()
“The old me and the new me are in a fist fight!” As howled in PUJOL’s “Manufactured Crisis Control,” the lyrics help paint an obvious scene of conflict, revealing an individual struggling for an objective view while commentating on an overbearing I against I scenario. While the new album, KLUDGE, “idiosyncratically captures life as it […]
- The Metamodern Gospel of Sturgill Simpson ()
Does Sturgill Simpson ever consider giving up? “Every fucking day,” he said over the phone, speaking to the internal doubt that haunts his professional direction, emphasizing how the well being of his soon-to-be expanding family rests on his success as a musician. It’s a conflict that breathes through Metamodern Sounds in Country Music, and one […]